How To Add Animation To A Picture After Effects

This technique features the boob tool in Subsequently Furnishings. You won't be able to do crazy or exaggerated movement with the puppet tool, as it distorts the image quickly. But it works dandy if you desire to add just a hint of the slowest-of-the-slow movement.

For this technique yous'll need:

one. A loftier-res photo with a subject field in activity and adequately plain groundwork – an out of focus background is the easiest!

2. Some ability with separating photos in photoshop

3. Patience (listening to some expert tunes helps)

Separating your photo into different layers. If y'all've read "Parallax Tutorial" (link), then y'all've already read this – experience complimentary to skip!

This step is the longest, deadening, and most of import. Get-go you'll want to determine how many layers in that location will be in your parallax – usually at that place'southward merely two or three layers.

Duplicate the photo layer in photoshop. I start with the foreground first and move backwards – ending with the groundwork image.

Begin separating out the objects that belong to the layer you are working on. There are many ways to separate objects out from an image, and you may have your preferred technique – but below is what I notice most constructive. (Annotation: make sure you lot hide the other layers you aren't working on then yous can really see what you're doing!)

1. Use the quick selection tool to select your object or bailiwick. Information technology doesn't have to be perfect, but the more authentic yous can make information technology, the less fourth dimension you'll spend in the third step.

2. Create a mask out of the selection by clicking the "Add Layer Mask" push in the bottom right.

three. Select the black and white mask layer. Use the brush tool to fine tune your mask. I often soften upwards and polish out the edges in this step, as the quick select tool commonly creates adequately crude and unattractive edges. You can also add together hair detail back in this footstep that might've been missed in the quick select.

This method gives yous a lot of command over the outcome and is a straightforward way to split up all the elements from your photo.due east

Using the puppet tool. Once you've separated all your layers in Photoshop, bring that photoshop file into Later Effects (making sure that you select "Editable Layers" on import). Create a new composition, elevate your layers in, and scale and position them to your fancy.

Select the "Puppet Tool."

Pin your subject layer at the points where yous want them to motion, as well as the points that y'all want to stay still. I commonly only pivot at the joints.

Make certain you are at the beginning of your limerick when you create these pins as they automatically create keyframes. Motion your selector further down the timeline and slightly move the pins to a new position. And voila! Fake slow-mo.

Y'all can sweeten this event past adding particles, coloring the photograph, or using it in conjunction with the parallax effect.